Inserisci una parola o una frase in qualsiasi lingua 👆
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Traduzione e analisi delle parole da parte dell'intelligenza artificiale
In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
quercino - traduzione in Inglese
PAINTER OF THE ITALIAN 17TH CENTURY (1591-1666)
Il Guercino; Giovanni Barbieri; Barbieri, Giovanni; Giovanni Francesco Barbieri; Gian-Francesco Barbieri; Gianfancesco Barbieri; Guerchin; Guercino il Magnifico; Giovanni Francesco Guercino
![''Et in Arcadia ego'']] (c. 1618-1622) marks the first known usage of this Latin motto (inscribed on the plinth beneath the skull)](https://commons.wikimedia.org/wiki/Special:FilePath/Et-in-Arcadia-ego.jpg?width=200 "''Et in Arcadia ego'']] (c. 1618-1622) marks the first known usage of this Latin motto (inscribed on the plinth beneath the skull)")
![[[Caravaggio]]'s influence is apparent in this canvas ''Christ and the Woman of Samaria '' (c. 1619-1620)](https://commons.wikimedia.org/wiki/Special:FilePath/Guercino (Giovanni Francesco Barbieri) - Christ and the Woman of Samaria - Google Art Project.jpg?width=200 "[[Caravaggio]]'s influence is apparent in this canvas ''Christ and the Woman of Samaria '' (c. 1619-1620)")
![Guercino – ''The Woman taken in Adultery'', [[Dulwich Picture Gallery]] (1621)](https://commons.wikimedia.org/wiki/Special:FilePath/Guercino - The Woman taken in Adultery - Google Art Project.jpg?width=200 "Guercino – ''The Woman taken in Adultery'', [[Dulwich Picture Gallery]] (1621)")
![Guercino – ''[[Flagellation of Christ]]'' (1657)](https://commons.wikimedia.org/wiki/Special:FilePath/Guercino Flagellazione.jpg?width=200 "Guercino – ''[[Flagellation of Christ]]'' (1657)")
![Tomb of Guercino, [[Santissimo Salvatore, Bologna]]](https://commons.wikimedia.org/wiki/Special:FilePath/San salvatore, bo, int., tomba del guercino.JPG?width=200 "Tomb of Guercino, [[Santissimo Salvatore, Bologna]]")
.jpg?width=200 "language=en}} The dramatic dynamism of this early work contrasts with the studied classicism of the artist's later depiction of the same story in 1649–1650.Posner, 1968")
.jpg?width=200 "''Atlas holding up the celestial globe'', 1646")
![''Joseph and Potiphar's Wife'', 1649, [[National Gallery of Art]]](https://commons.wikimedia.org/wiki/Special:FilePath/Joseph and Potiphar's Wife - Giovanni Francesco Barbieri, called Guercino, 1649 - NG Wash DC.jpg?width=200 "''Joseph and Potiphar's Wife'', 1649, [[National Gallery of Art]]")
 - David with the Head of Goliath - Google Art Project.jpg?width=200 "''David with the Head of Goliath'', circa 1650")
![''Personification of Astrology'', ca. 1650–1655, [[Blanton Museum of Art]], [[Texas]]](https://commons.wikimedia.org/wiki/Special:FilePath/Guercino Astrologia.jpg?width=200 "''Personification of Astrology'', ca. 1650–1655, [[Blanton Museum of Art]], [[Texas]]")
 c. 1768.jpg?width=200 "''King David'', 1651")
![Samson and Delilah]]'', 1654](https://commons.wikimedia.org/wiki/Special:FilePath/Samson and Delilah mg 0034.jpg?width=200 "Samson and Delilah]]'', 1654")
![Saint Joseph's Dream]]'', 1600-1650](https://commons.wikimedia.org/wiki/Special:FilePath/Guercino,_sogno_di_s._giuseppe.JPG?width=200 "Saint Joseph's Dream]]'', 1600-1650")
![Saint Jerome]]'', c.1640-1650](https://commons.wikimedia.org/wiki/Special:FilePath/Guercino,_san_girolamo_penitente.JPG?width=200 "Saint Jerome]]'', c.1640-1650")
quercino
oaken, made out of wood from the oak tree
oaken
adj. di quercia, quercino; della quercia
Wikipedia
Guercino
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666), better known as (il) Guercino (Italian pronunciation: [ɡwerˈtʃiːno]), was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
